Soldier Boy (Jensen Ackles) choking out his character in The Boys Season 5 trailer has Misha Collins feeling some Supernatural deja vu. For example, what role will Jensen Ackles' Soldier Boy play in all of this? Earlier today, Collins had a little fun with it all, sharing a look at Soldier Boy choking out his character and comparing it to a scene from their Supernatural days where the roles were reversed, and Castiel (Collins) had the upper hand on Dean (Ackles). Here's a look at Collins' Instagram post from earlier today, followed by a look back at our thoughts on what that Season 5 trailer could mean for Ackles/Soldier Boy, Padalecki, and Collins: In the official teaser, we heard the words, "A reckoning is coming," spoken as Homelander stood before a frozen Soldier Boy (Jensen Ackles), although it's tough to say if those words were directly tied to that moment. Now, we're learning that as he attempts to achieve immortality, Homelander wants his dear old dad along for the ride. Does he see his son as a means to an end – in this case, killing Butcher (Karl Urban) and Hughie (Jack Quaid) for betraying him? Yes, but seeing Homelander positioning himself as an actual kind of god takes things to a whole other level. Here, we get a brief tease of a Soldier Boy-Homelander stand-off, when Soldier Boy learns for the first time that Butcher has powers – before he eats an automobile, courtesy of Butcher: In the previous teaser, we saw Soldier Boy behind Jared Padalecki's character before it cut to the scene with Homelander and Soldier Boy together. During Fan Expo Boston (as reported by Collider) in August, Padalecki teased this about his character's connection to Soldier Boy: "I'll say this much — my character is very excited to meet Soldier Boy." It's clear that Soldier Boy isn't too thrilled with Collins; the suit Collins is wearing suggests he might be tied into the whole god/religion run that Homelander is on – maybe something that Soldier Boy can't but into. We've seen all too well what can happen when Soldier Boy unleashes his power. Look no further than how close he came to putting down Homelander for good. So it's interesting to see who he's unleashing on here. Unless we're victims of slick editing, it seems Butcher and Frenchie (Tomer Capone) are shocked by what they're seeing, but not necessarily afraid.
‘Serpent's Path' & ‘Chime' Trailer – Kiyoshi Kurosawa Double Feature Opens in NYC This Month ‘From' Season 4 Trailer – Harold Perrineau Will Fear What He Becomes in April Adult Swim's ‘Rooster Fighter' Establishes A New Pecking Order For Action-Horror Anime Absurdity ‘Bodycam' Crafts Creative & Timely Terrors Through A Reflexive Found-Footage Lens [Review] Adult Swim's ‘Rooster Fighter' Establishes A New Pecking Order For Action-Horror Anime Absurdity 20 Years Later: How ‘The Hills Have Eyes' Took a Horror Classic and Made It Even Better ‘Hex' Appeal: Diving into a Shaw Brothers Classic Now Streaming on Shudder ‘Serpent's Path' & ‘Chime' Trailer – Kiyoshi Kurosawa Double Feature Opens in NYC This Month Nightdive Reveals Long-Awaited Remaster of Cyberpunk FPS ‘SiN: Reloaded', Coming This Year [Trailer] ‘From' Season 4 Trailer – Harold Perrineau Will Fear What He Becomes in April Nightdive Reveals Long-Awaited Remaster of Cyberpunk FPS ‘SiN: Reloaded', Coming This Year [Trailer] The horror genre is especially receptive to franchises, legacy sequels, and reboots. It's been five years since Paranormal Activity: Next of Kin, a standalone sequel and soft reboot that ditched the franchise's lore and failed to commit to its signature found-footage angle. Ian Tuason, the writer and director of A24's viral aural horror film, undertone, has been announced as the creative force at the helm of “Paranormal Activity 8.” Paranormal Activity's DNA can be felt in undertone, a claustrophobic and small-scale experience where an investigation into mysterious audio recordings unleashes something considerably more sinister. Ian Tuason explicitly turned to Paranormal Activity during undertone‘s construction. “It was a very big influence on the movie.” Tuason's meticulous control over his craft led to a fortuitous meeting at Blumhouse with both Jason Blum and James Wan, in which he explicitly voiced his interest in Paranormal Activity. “Jason Blum initially talked to me about a bunch of different IPs, and I expressed the most interest in Paranormal Activity,” explains Tuason. Tuason outlines that James Wan was interested in his angle for the revival and where he would take future Paranormal Activity films. “This was a spontaneous meeting because I just happened to be in LA at the time. “I felt like the franchise couldn't be rebooted in any other way.” It remains unclear if the franchise's de facto demon mascot, Toby, will return. It's an encouraging direction for the franchise, considering how well Tuason incorporates audio and visual technological elements in undertone. Tuason cut his teeth with VR horror films before undertone, but he's not interested in returning to this space, even if Paranormal Activity is a property that lends itself to the medium. “No,” confirms Tuason on the prospect of a VR Paranormal Activity promo tool. I went back to the cinema, and now I'm not leaving.” With undertone's breakout success, Tuason will hopefully have a rich, long career in cinema ahead of him. If you want a drink thrown in your face, talk to him about "Silent Night, Deadly Night Part II," but he'll always happily talk about the "Puppet Master" franchise. A Ben Evans Film finds the titular filmmaker (Elobar) struggling to complete his magnum opus. “From the moment A Ben Evans Film crossed my desk, it was clear this was the kind of bold, off-center genre project you don't see every day,” says Cole. “It's unsettling, original, and exactly the kind of film that stays with you.”
Radio is an artistic medium that taps directly into the imaginative subconscious. When radio first became widespread, it was swiftly accompanied by tales of ghosts and demons possessing the airwaves. With each new advancement, suspicions arise, and something swoops in to prey upon our latent fears. Everyone and their mother has one these days, or so it seems. A film which makes extraordinary use of negative space – not just auditory but visual, begging viewers to scan every frame for any possible indication of threat or lurking evil – undertone works best when gnawing at nagging expectations. As a director, Ian Tuason is economical, calculated, and equipped with an astoundingly good compositional eye. His script, however, lacks any real depth or reason. An isolated woman who spends the bulk of her time caretaking for her dying mother (Michèle Duquet), Evy's only connection to the outside world seems to be her popular paranormal podcast called The Undertone. She has a boyfriend, Darren (Ryan Turner), but has a much closer relationship to her podcast co-host, Justin (Adam DiMarco). Justin acts as its unequivocal believer in paranormal activity, while Evy is the skeptic. On each episode, they discuss a story – sometimes in real time – and debate the merits of its connection to the great beyond. Evy's skepticism lies in direct contrast to her mother's religiosity; Christian symbols and figurines adorn the house, and Tuason relentlessly focuses our attention on them. Her relationship with Darren doesn't seem to hold much water, but given that she's just found out she's pregnant, everything feels a bit hairy. On the podcast, Justin is surprising her with a new, juicy episode. He has received a mysterious email from what seems like an automated account with ten audio files. His pitch is that they listen to them, live on air, and respond to whatever it is they hear. It starts off as a cutesy recording of a man, Mike (Jeff Yung), trying to prove to his wife, Jessa (Keana Bastidas), that she talks in her sleep, but devolves into an odd mix of static and children's songs sung in reverse. Justin keeps insisting he hears messages inside the files, but Evy, whether out of genuine skepticism or an attempt to stave off her metastasizing fears, argues there's nothing there at all. Actually, Tuason does such a strong job at holding off and escaping any horror clichés that for much of the film, it seems distinctly possible that Evy is just sleep-deprived and paranoid. But because we are so well immersed in her own auditory landscape, we are left to work in overdrive trying to determine if even the slightest bit of movement in the corner of a frame is something demonic. The thing is, much of Evy's character doesn't square up with her desire to make podcasts, and the podcast itself is so derpy that anytime it returns to their overwritten, chummy banter, all tension is immediately punctured, and the film grinds to a screeching halt. Kiri is a really magnetic actor, but her character is clammy and nervous in a way that never squares away with the person who insists, despite all the mounting danger, they listen to every last audio file. For one thing, it seems strange that these people only seem to record about ten minutes at a time, yet can still churn out a weekly episode. Evy is the only character that you ever see in the film (besides her comatose mother), which is a choice that isolates her effectively, yet doesn't make much sense in practice. Especially with the podcast – why aren't they chatting over Zoom or FaceTime? And therein lies the central confusion of watching undertone. For every impressive, meticulous directorial choice, there's an equally silly narrative convenience. Neither host enters the recording with any plan, apparently, as a lot of it consists of them simultaneously looking things up on Google. Perhaps it's fitting that a horror film set around a podcast flits in and out of being engaging, since that's more or less the experience of listening to one, but it doesn't exactly make for a cohesive viewing experience. If Evy is being haunted by something, perhaps it's the possibility that her podcast needs some work. Share your opinions in the thread below and remember to keep it respectful.
Artificial intelligence is going to make it easier to spot whether a bird, a plane or an otherworldly creature is in the sky, Canada's top UFO expert says, as Canadians continue to report sightings of unidentified flying objects. Chris Rutkowski has spent decades researching the phenomena and is part of Ufology Research, a Manitoba-based organization that tracks UFO sightings in Canada and publishes an annual report. The group's 2025 analysis, released Monday, includes data taken from observation stations set up by passionate UFO enthusiasts across the country. This is an attempt to quantify UFO sightings," Rutkowski said. Some are training artificial intelligence to be able to distinguish a bird, an aircraft or a satellite from something unknown, he said. The technology helps with more "sophisticated" detection, Rutkowski said. He pointed to work being done by the Galileo Project at Harvard University. Data collected by Ufology Research found that reports of 1,052 UFO sightings in Canada were filed last year with government agencies, participating private organizations and through social media. A little more than three per cent were deemed unexplained. "It should be emphasized the classification of 'unknown' does not imply alien visitation. Each case may still have an explanation following further investigation, and of those that remain unexplained, they may remain unexplained but still are not incontrovertible proof of extraterrestrial intervention or some mysterious natural phenomenon," the report says. Sightings were documented in every province and territory, with Ontario leading the way. Ufology Research has been gathering data for more than 35 years, relying on co-operation from investigators and researchers across the country. The report says a comprehensive collection hasn't been possible due to some organizations withholding information. "As part of Canada's defence package, I think it would be something to look at very seriously." Ultimately, he said, fascination around the mystery of what's out there remains. "One in 10 Canadians believe they've seen UFOs," he said. Brittany Hobson is a reporter with The Canadian Press. It is a priority for CBC to create products that are accessible to all in Canada including people with visual, hearing, motor and cognitive challenges.
Artificial intelligence is going to make it easier to spot whether a bird, a plane or an otherworldly creature is in the sky, Canada's top UFO expert says, as Canadians continue to report sightings of unidentified flying objects. Chris Rutkowski has spent decades researching the phenomena and is part of Ufology Research, a Manitoba-based organization that tracks UFO sightings in Canada and publishes an annual report. The group's 2025 analysis, released Monday, includes data taken from observation stations set up by passionate UFO enthusiasts across the country. This is an attempt to quantify UFO sightings," Rutkowski said. Some are training artificial intelligence to be able to distinguish a bird, an aircraft or a satellite from something unknown, he said. The technology helps with more "sophisticated" detection, Rutkowski said. He pointed to work being done by the Galileo Project at Harvard University. Data collected by Ufology Research found that reports of 1,052 UFO sightings in Canada were filed last year with government agencies, participating private organizations and through social media. A little more than three per cent were deemed unexplained. "It should be emphasized the classification of 'unknown' does not imply alien visitation. Each case may still have an explanation following further investigation, and of those that remain unexplained, they may remain unexplained but still are not incontrovertible proof of extraterrestrial intervention or some mysterious natural phenomenon," the report says. Sightings were documented in every province and territory, with Ontario leading the way. Ufology Research has been gathering data for more than 35 years, relying on co-operation from investigators and researchers across the country. The report says a comprehensive collection hasn't been possible due to some organizations withholding information. "As part of Canada's defence package, I think it would be something to look at very seriously." Ultimately, he said, fascination around the mystery of what's out there remains. "One in 10 Canadians believe they've seen UFOs," he said. Brittany Hobson is a reporter with The Canadian Press. It is a priority for CBC to create products that are accessible to all in Canada including people with visual, hearing, motor and cognitive challenges.
Despite a coordinated effort from Bernalillo County Sheriff's Office and the FBI, they still have no idea what he did after leaving his home. Law enforcement are going to great lengths in their attempt to locate the missing retired military general and UFO expert, including utilizing undisclosed 'advanced technologies', but have so far failed to uncover any 'evidence of foul play.' Police and investigating federal agents believe the 'avid outdoorsman' may have gone hiking in the and asked for anyone who was in the nearby Northeast Heights and Sandia foothills to get in touch if they saw someone resembling McCasland on February 27 or 28. “Our priority is finding Mr. McCasland safely,” said Sheriff John Allen. "We're asking the public to help by checking and preserving any security camera footage from the area and reporting any information immediately. But investigative journalist Ross Coulthart has branded his disappearance as a 'grave national security crisis', as the retired general worked on top secret US military technology for four decades has 'some of the most sensitive secrets of the United States in his head.' Speaking on his Reality Check podcast, Coulthard added: “If you were Russia, or you were China, God forbid, General Neil McCasland would be one of your targets. There are very few people in America who know as much about secret military project as McCasland, who became the assistant director of the Office of Special Projects-13 in California after getting his doctorate from MIT. His ensuing job titles became even more improbable, running the Space Based Laser Project Office for a few years before being assigned to head up the Air Force Research Laboratory Space Vehicles Directorate - based in UFO-friendly New Mexico. Then, towards the end of his career, he was promoted once again, to director of special programs at the Pentagon, a position which gave him access to and knowledge of America's most top secret research. But Coulthart says it was his final posting that proved most confidential, when he was moved to Ohio's Wright-Patterson Air Force Base to command its Air Force Research Laboratory, where he oversaw billions of dollars' worth of future weapons research. This base is also rumored to contain fragments extraterrestrial debris, including from the alleged Roswell UFO crash. With President Trump signaling that he was open to revealing more information extraterrestrials, Coulthart says the major general supported the move to declassify. We believe there are people who have information valuable to locating Neil who have not yet spoken to law enforcement. Regardless of how insignificant you think your information might be, or whether you think we are already aware of it, please contact us and allow us to make that determination. "If you have any information, text BCSO to 847411 or call our Missing Persons Unit at (505) 468-7070."
New series showcases how AI helps creators transform ambitious visions into scalable, sustainable productions Bloodbound Luna, Vigloo's 22-episode English-language YA supernatural microdrama, was produced through a fully AI-native workflow in just eight weeks by a team of fewer than 10 creators. LOS ANGELES & SEOUL, South Korea--(BUSINESS WIRE)--Vigloo, a global microdrama platform from Korea, today announced the release of Bloodbound Luna, a 22-episode English-language YA dark fantasy microdrama produced entirely through an AI-native workflow. Designed specifically for U.S. audiences, the series marks a significant evolution from Vigloo's earlier AI-assisted productions, moving toward fully generative storytelling, from visuals to voice performances. “AI is not replacing the human creativity behind storytelling, it's expanding what creators can achieve,” said Neil Choi, CEO of Vigloo. Completed in just eight weeks by a lean team consisting of fewer than 10 creators, the series used reference-based AI generation to achieve natural character movement and fully synthetic voice performances. Bloodbound Luna demonstrates how AI can make such storytelling viable, delivering visually ambitious episodes optimized for global audiences while remaining feasible within tighter production budgets. The company's prior in-house AI-produced title, Met a Savior in Hell, garnered more than 4 million views, confirming audience demand for high-quality, AI-assisted storytelling. Vigloo envisions AI as a catalyst for expanding what small creative teams can produce. By accelerating experimentation and enabling scalable genre production, AI unlocks new possibilities for global microdrama audiences. “AI is not replacing the human creativity behind storytelling, it's expanding what creators can achieve,” said Neil Choi, CEO of Vigloo. “With Bloodbound Luna, we've shown how small teams can scale their creative vision and produce ambitious genre stories.” Originating in South Korea, its extensive library features more than 350 premium dramas with episodes under two minutes each, spanning genres such as romance, comedy, and thriller—all tailored for global audiences.
Dan Baumgardt does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment. Period scooping sounds like something you would only hear in a biology lab, not while doom-scrolling TikTok. Yet earlier this year, videos claiming you can “scoop out” your period to avoid the mess and shorten the whole thing racked up millions of views. Some people were pushing in the shower using pelvic floor muscles. Others described using water, fingers, or even objects to “clean out” menstrual fluid. I spoke to Sally King, a visiting fellow at King's College London and founder of the evidence-based menstrual health project Menstrual Matters. Her first point was almost disappointingly simple: you cannot shorten a period by “scooping”. Where King's tone sharpened was on the version of “scooping” that involves washing inside the vagina with water or soap, essentially douching. The vagina is self-cleaning and has an acidic environment that supports protective bacteria. Flooding it with neutral water or alkaline products disrupts that balance and is linked to infections such as bacterial vaginosis, and in some cases more serious reproductive health problems. It is proper treatment and, crucially, a culture where people feel able to ask for help without shame. Read more: ‘Dirty red': how periods have been stigmatised through history to the modern day Then there videos raving about “emergency period stop” drinks. King was blunt: there is no scientific basis for any food or drink instantly halting a period mid-cycle. Menstrual symptoms can change from month to month anyway, which makes it easy to mistake coincidence for cause, especially online where confirmation bias thrives. And yet not all viral period content is rooted in disgust. The most eyebrow-raising example is “period masking”, where influencers smear menstrual blood on their faces and claim the stem cells will transform their skin. Menstrual fluid does contain unusually interesting stem cells, and scientists are investigating them for regenerative medicine. During the COVID-19 pandemic, for example, researchers reported promising results using menstrual blood-derived mesenchymal stem cells as a treatment in severely ill patients, but these were processed cells delivered in a clinical setting, not a DIY face mask. King argues that we still teach about menstruation primarily as a prelude to pregnancy, rather than a complex biological process with its own functions and health signals. If a hack relies on shame, secrecy, or the idea that your body is dirty and must be “fixed” fast, it is probably selling you something, even if what it wants is only your attention. Strange Health is hosted by Katie Edwards and Dan Baumgardt. The executive producer is Gemma Ware, with video and sound editing for this episode by Anouk Millet. Listen to Strange Health via any of the apps listed above, download it directly via our RSS feed or find out how else to listen here. A transcript is available via the Apple Podcasts or Spotify apps.
Golduck represents the transformation of potential into mastery, evolving from the perpetually confused Psyduck into a sleek, powerful, and formidable Water-type Pokémon. Its streamlined design, incredible speed, and combination of physical and psychic abilities make it a force to be reckoned with in any battle scenario. Trainers quickly recognize that Golduck is not merely an evolution of a comical Pokémon but a capable and intelligent combatant, able to outmaneuver and outsmart opponents while delivering devastating attacks with precision. In combat, Golduck excels through a combination of Water-type attacks and psychic abilities. Its moveset often includes Surf, Hydro Pump, Psychic, Ice Beam, and Aqua Tail, allowing it to handle a wide variety of opponents. Ice Beam can surprise Grass or Dragon-type opponents, adding versatility to its offensive arsenal. Aqua Tail offers a high-powered physical attack that complements Golduck's speed and agility. This balance of offense, coverage, and versatility ensures that Golduck remains a relevant and threatening presence in battles of all levels. Its high Speed stat allows it to act first in most encounters, enabling trainers to dictate the flow of battle, exploit weaknesses, and strike before opponents can react. Moves like Agility further enhance its speed, allowing it to overwhelm opponents with relentless pressure. This combination of velocity and precision transforms Golduck from a reactive Pokémon into a proactive one, capable of controlling the battlefield and creating opportunities for follow-up attacks or team coordination. While Psyduck relies on luck and bursts of psychic energy, Golduck combines these abilities with enhanced physical power, increased speed, and refined techniques. This evolution underscores the importance of patience, training, and strategy, demonstrating that even Pokémon that initially seem unpredictable or underwhelming can evolve into dominant forces when properly nurtured. Golduck's personality and instincts also play a role in its combat success. This strategic versatility makes it effective not only as a single combatant but also as a key member of team formations, where its ability to manipulate the battlefield and exploit enemy weaknesses can determine the outcome of a match. Golduck demonstrates that a combination of raw power, speed, and clever strategy is often more effective than relying on brute strength alone. Its aquatic adaptations, such as webbed limbs and tail fin, reinforce the notion of speed and versatility, making it clear that Golduck is as effective in water as it is on land. This design teaches a broader lesson about Pokémon: appearances can be deceiving, and strategic capability often lies beneath the surface, waiting to be mastered. Surf and Hydro Pump provide reliable Water-type coverage, while Psychic adds strategic depth, allowing it to counter specific threats. Moves like Ice Beam and Aqua Tail expand its reach, making it effective against a range of Pokémon types. Its high Speed and tactical utility allow trainers to maintain initiative, set up favorable scenarios, and deliver precise, impactful attacks. Culturally, Golduck has become a symbol of transformation, mastery, and hidden potential. Its evolution from a confused Psyduck emphasizes growth, training, and strategic thinking. Fans appreciate its combination of elegance, power, and tactical versatility, seeing Golduck as a Pokémon that rewards skillful trainers who understand its strengths. Its ability to combine Water-type attacks with psychic abilities, control the flow of battle, and exploit weaknesses ensures it remains a versatile and formidable Pokémon. From casual encounters to competitive arenas, Golduck demonstrates that intelligence, adaptability, and tactical insight can elevate a Pokémon to dominance. Golduck continues to captivate trainers with its blend of elegance, power, and strategic versatility. Psyduck is one of the most intriguing and memorable Pokémon in the series, standing out for its odd behavior, unique design, and hidden potential. At first glance, Psyduck appears to be a perpetually confused and somewhat helpless Water-type Pokémon. However, beneath this unassuming exterior lies a Pokémon with remarkable psychic abilities, surprising strength, and a tactical advantage that can turn the tide of any battle. Let's start off with a popular anecdote from the vaults... There was no reason why I would choose this book to read apart from the fact it had an interesting subtitle and the cover looked quite telling. I like it when the cover to a book looks like it has been worked on to hide things within. I also ended up reading the blurb to the book only to realise it was not only nonfiction, but the topic was about to be expanded upon in a whole host of ways. From how survival instincts move us from cold to hot and back to cold environments all the way through to why children were dying at a similar rate as adults in some cases. We are taken through a look at how sickness, once treated as an individual thing, moved to a group thing and thus, came to change the way we buy things and spend our lives. The COVID pandemic may have taught us somewhat about that, but who knew our everyday consumerism is coated with a deep fear of getting sick? Finola knew Ali's brother-in-law needed to put his mind at rest. She fed her arm through his and led him outside. If you like, I can put a block around us so our conversation will be private.”